Woman in Thong at Beach with Sandy Bottom Photographic Print
Bachmann, Bill
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Woman in Thong at Beach with Sandy Bottom
Photographic Print
Bachmann, Bill
Buy at AllPosters.com
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Medieval women usually wore a close-fitting garment called a shift, smock, or chemise, sometimes coupled with braies-like leg wrappings.
They may have worn petticoats over the shift and under the dress. Quilted petticoats could be worn during the winter. Elaborately-quilted petticoats might be displayed by a cut-away dress, in which case they became a skirt rather than an undergarment.
During the 16th century, the farthingale was popular. This was a petticoat stiffened with reed or willow rods so that it stood out from a woman's body, like a cone extending from the waist.
Corsets also began to be worn about this time. At first they were called pair of bodies, which may refer both to a stiffened bodice designed to be seen, and a bodice stiffened with buckram, reeds, canes, whalebone, etc., worn underneath another, decorative, bodice. These were not the small-waisted, curvy corsets familiar from the Victorian period, but straight-lined corsets that flattened the bust.
There is a myth that Crusaders worried about the fidelity of their wives forced them to wear chastity belts. There is no reference, image, or surviving belt to support this story.
The inventions of the spinning jenny machines and the cotton gin in the second half of the 18th century made cotton fabrics widely available. This allowed factories to mass-produce underwear, and for the first time, people began buying undergarments in stores rather than making them at home. The standard undergarment of the 19th century for men, women, and children was the union suit, which provided coverage from the wrists to the ankles (this "second skin" style is more commonly known as long johns today). The union suits of the era were usually made of knitted material and included a drop flap in the back to ease visits to the toilet.
In the 18th century, women began wearing stays [[3]], a type of undergarment that wraps around the torso from behind and ties closed in the front. These stays were often stiffened in the 1750s and 1760s, when they became known as the corset. Different colors became available (though linings remained white). The corset remained popular with aristocratic women well into the 19th century, when the design was modified to fit much more tightly. A tiny waist came to be seen as a symbol of beauty, and the corsets were laced with whalebone or steel to accomplish this. This caused great pain to most women, and some even suffered damage to internal organs and bones as a result. These later corsets did not wrap around the breasts as their predecessors had. Breasts were thrust outward by many corset designs, but were otherwise allowed to hang loose.
The corset was usually worn over a thin shirt-like garment of cotton or muslin called a shift. In the latter half of the 19th Century, long drawers called pantalets or pantaloons often accompanied the shift to keep the legs out of sight as skirts styles got shorter.
The other major female undergarment of this period was the Crinoline petticoat. This underskirt served a similar purpose to the farthingales of the Renaissance, only the petticoat kept skirts full by means of stiff fabrics and numerous layers rather than hoops. It also differed in that it was fairly inexpensive, and therefore commoners and aristocrats alike could afford to wear it (though wealthy women could usually afford petticoats of finer material and of more elaborate design).
The bustle, a frame or pad worn over the buttocks to enhance their shape, had been used off and on by women for two centuries, but it reached the height of its popularity 1880, and went out of fashion for good in the 1890s.
By the early 20th century, the mass-produced undergarment industry was booming, and competition forced producers to come up with all sorts of innovative and gimmicky designs to compete. The Hanes company emerged from this boom and quickly established itself as a top manufacturer of union suits. Textile technology continued to improve, and the time to make a single union suit dropped from days to minutes.
Meanwhile, designers of women's undergarments relaxed the corset. The invention of new, flexible but supportive materials allowed them to remove the whalebone and steel while still providing support.
The increase in the number of underwear manufacturers necessitated the birth of undergarment advertising. The first underwear print advertisement in the United States ran in the Saturday Evening Post in 1911 and featured oil paintings by J.C. Leyendecker of the "Kenosha Klosed Krotch". Early underwear advertisements placed emphasis on durability and comfort; fashion was never a selling point.
By the end of the 1910s, Chalmers Knitting Company split the union suit into upper and lower sections, effectively inventing the modern undershirt and drawers. Women wore lacier versions of this basic duo known as the camisole and drawers.
In 1913, a New York socialite named Mary Phelps Jacob changed women's fashion forever when she cobbled the first brassiere together by tying two handkerchiefs together with ribbon. Jacob's original intention was to cover the whalebone sticking out of her corset, which was visible through her sheer dress. Jacob began making brassieres for her family and friends, and word of mouth soon spread about the garment. By 1914, Jacob had a patent for her design and was marketing it throughout the United States. Although women had worn brassiere-like garments years past, Jacob's was the first to be successfully marketed and widely adopted.
By the end of the decade, trouser-like "bloomers" (popularized by Amelia Jenks Bloomer [1818-1894] but invented by Elizabeth Smith Miller) gained popularity with the so-called Gibson girls who enjoyed more athletic pursuits such as bicycling and tennis. This new female athleticism helped push the corset out of style, as well. The other major factor in the corset's demise was the fact that metal was in short supply in much of the world during World War I. Steel-laced corsets were dropped in favor of the brassiere.
Meanwhile, the soldiers of World War I were issued button-front shorts as underwear. The buttons attached to a separate piece of cloth, or yoke, sewn to the front of the garment, and tightness of fit was adjusted by means of ties on the sides. This design proved so popular that it began to supplant the union suit in popularity by the end of the war. Garments of rayon also became widely available in the post-war period.
In the 1920s, manufacturers shifted emphasis from durability to comfort. Union suit ads raved about "patented" new designs that reduced the number of buttons and increased accessibility. Most of these experimental designs had to do with new ways to hold closed the crotch flap common on most union suits and drawers. A new woven cotton fabric called nainsook gained popularity in the 1920s for its durability. Retailers also began selling preshrunk undergarments.
Women's bloomers became much shorter and stockings covered the legs instead. The shorter bloomers became looser and less supportive as the boyish flapper look came into fashion. By the end of the decade, they came to be known as step-ins, very much like modern panties but with wider legs, worn for the increased flexibility they afforded.
As dancing became a favorite pastime of young flappers, the garter belt was invented to keep stockings from falling. Nevertheless, the increased sexuality of the flapper also made underwear sexier than ever before. It was the flappers who ushered in the era of lingerie.
A Russian immigrant named Ida Rosenthal further developed the brassiere in this decade when she introduced modern cup sizes in 1928 for her company, Maidenform.
Modern men's underwear was largely an invention of the 1930s. On January 19, 1935 Coopers Inc. sold the world's first briefs in Chicago, Illinois. The company placed a Y-shaped front and overlapping fly on knitted drawers in both short and long styles. They dubbed the design the "Jockey" since it offered a degree of support that had previously only been available from the jockstrap (the company itself would later adopt the name Jockey, as well). Jockey briefs proved so popular that over 30,000 pairs were sold within three months of their introduction.
Meanwhile, other companies began selling buttonless drawers fitted with an elastic waistband, the first true boxer shorts (named for their resemblance to the shorts worn by professional fighters). Scovil Manufacturing also introduced the snap fastener at this time, which became a popular addition to various kinds of undergarments.
Women of this decade brought the corset back, now called the girdle. The garment lacked the whalebone and metal supports and usually came with a brassiere (now usually called a bra) and often garters attached.
During World War II, elastic waistbands and metal snaps gave way once again to button fasteners due to rubber and metal shortages. Undergarments were harder to find, as well, since soldiers abroad had priority to get them.
At war's end, Jockey and Hanes remained the industry leader in the United States, but Cluett, Peabody and Company would make a name for itself when it introduced a preshrinking process called Sanforization, which came to be licensed by most major manufacturers.
Meanwhile, some women readopted the corset once again, now called the waspie for the wasp-shaped waistline it gave the wearer. Many women began wearing the strapless bra, as well, which gained popularity for its ability to push the breasts up and enhance cleavage.
In the 1950s, underwear manufacturers began marketing printed and colored garments. What had once been a simple, white piece of clothing not to be shown in public suddenly became a fashion statement. The manufacturers also experimented with rayon and newer fabrics like dacron and nylon. By 1960, men's underwear was regularly printed in loud patterns or with images ranging from messages to cartoon characters.
Women's undergarments began to emphasize the breasts instead of the waist in the 1950s. The decade saw the introduction of the bullet bra, which featured pointed cups. Fredericks of Hollywood's push-up bra finally hit it big in this decade as well. Meanwhile, women's panties had become even more colorful and decorative, and by the mid-Sixties were also available in two smaller, more abbreviated styles called the hip-hugger and the bikini (after the island of that name), frequently in sheer nylon fabric.
Panty hose, also called "tights" in British English, which combined panties and hose into one garment, made their first appearance in 1959, invented by Glen Raven Mills of North Carolina. The company later introduced seamless panty hose in the 1965, spurred by the popularity of the miniskirt.
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